Chandrasekhar Indla - Holding the baton of Telugu theatre
All the world's a stage, Shakespeare famously wrote, and all the men and women merely players. Chandrasekhar Indla, drama faculty at the Academy’s theatre arts department, would take a dim view of such a simplistic description of a stage play. As director, lighting designer, sound technician, mask-maker and writer, Chandra has been a part of hundreds of performances and, talking to him, you would believe that the stage is possibly more than the world, and players perhaps more than merely men and women. “Drama is an important instrument that can build a sense of consciousness in society,” he shares. “There is a need to save and reinvent drama.” For over five years now, he has dedicated his career to introducing children to the world of theatre arts.
A prolific academic, Chandra was among highest scorers in the National Eligibility Test, an exam held nationwide by the University Grants Commission (UGC) which qualifies people to teach performing arts at a collegiate level. His work since his first tenure as a master’s student at the University of Hyderabad has been about introducing drama to a young audience. He was among the first members of the university’s Theatre Outreach Unit, created to expose children all over the state to theatre arts. He joined the Aga Khan Academy Hyderabad in 2015 to continue in this effort. “Our Academy is one of the best places where the teacher-student relationship is so strong in terms of respecting each other and sharing thoughts,” he says. Chandra, not a technical direcor for drama at the Academy, was very happy to teach at the Academy because the IB curriculum gives theatre arts the importance of a elective, rather than just tacking it on as a co-curricular activity as other school programmes do.
With two master’s degrees and a PhD on the way, Chandra surprisingly admits he wasn’t very good at school. In fact, he even struggled through his first degree, a bachelor’s in computer science. “I don’t remember any programming today,” he confides. Once Chandra relieved himself of his pursuits in technology and began honing in on theatre, his academic performance drastically improved. He finished his master’s in performing arts with a gold medal from the University of Hyderabad, and went on to earn two prestigious research fellowships from the UGC to write about theatre arts. These fellowships sustained him for nearly six years. “My family was happy to find out I was going to pursue theatre arts, because my paternal uncle is an author, and they thought he could help me.”
Chandra was born in Kanduluru in Andhra’s Prakasam district where his parents worked for daily wages, often at construction sites or in the tobacco fields of of the coastal district. “He was into old, traditional theatre arts,” Chandra says of his uncle. “Today I’m in national theatre festivals. I have more contacts than him,” he adds, laughing. Indeed, Chandrasekhar Indla has become a recognisable name in Telugu literary circles. This began when his final master’s project, a play adaptation of the book Gopathrudu by K.N.Y Pathanjali, became a sensation in theatres across Andhra Pradesh (before the creation of Telangana State). He followed this with another adapted play called Miss Meena, based on the tragicomedy The Visit by Friedrich Dürrenmatt. Ms. Meena was performed over a 100 times statewide, earning Chandra a reputation as tested thespian. Apart from this, Chandra has also spoken and presented about Telugu theatre at international conferences.
“As a professional admirer of drama I would like to hand over the future of drama to the students to take it further,” he says. Since his joining the Academy, our students have held performances across the city, attended several festivals and plays, and most notably, entered the Amaravathi National Theatre Festival in 2017. “I had the freedom to run and develop the department,” he says of being the first drama teacher at the school. “I have used this freedom to develop the students’ abilities in acting, communication, confidence, creativity and thinking skills.” With the addition of George Macpherson to the drama department as of August 2018, the programme has only gained in strength. “We’ve built a whole new teaching strategy together,” Chandra says of his friend and colleague George. “As a practioner, I'm more comfortable teaching the the practical aspects of theatre, whereas George is very good at teaching theory."
Inevitably, Chandra went from adapting literature to the stage to creating literature himself. As of date, he has been published in Telugu literary magazines 12 times, and has a collection of short stories on the way. One of the major motifs in Chandra’s writing is social equality and social reform. At the Aga Khan Academy Hyderabad, where pluralism is one of the tenets of the school’s ethos, Chandra is a person students can look up to who shows these values in his work and personal life. Chandra met his wife Ezhilmathi in 2009 when they were doing their master’s of philosophy in performing arts at Pondicherry University. His area of focus was drama while hers was music. “She taught me Tamil,” he says, “I think that’s where it began.” The two had to convince their parents before they could get married. “My marriage is inter-state, inter-faith, inter-caste,” he laughs. In August 2012, Chandrasekhar and Ezhilmathi were married in a wedding with both Hindu and Christian rituals.
“Drama can build self-confidence in a person. However, most people do not have proper understanding or admiration of drama,” Chandra says. Looking out of his office window at an overcast December morning, Chandra’s thoughts about his art turn bleak. “No one reads scripts,” he says of the culture of literature in the subcontinent. “People will just read Shakespeare as a play, but that is not the case for Telugu literature.” The shields and trophies on his desk gleam in the wintry light. “Maybe this culture of drama will die out one day."
Though the thought is dark, Chandra doesn’t let it get in the way of his work, and rather uses it to fuel his work as a teacher. He knows that many of his students will go on to pursue, say, computer science, but that doesn’t deter him. “I want my students to be good humans who are not only responsible but also sensitive to others’ emotions and culture. Drama needs to be handled more as a legacy and its nuances need to be inherited and passed on generation after generation. This is possible only when I take up the role of a teacher.”
Written by Ajay Sundaram
Sujana Veeramachaneni: Teacher, Assistant Coordinator, Dorm Parent, Mentor
At the Aga Khan Academy Hyderabad, Sujana Veeramachaneni holds more than her official titles of biology teacher and Assistant Coordinator for the Diploma Programme (DP), science teacher for the Middle Years Programme, and dorm parent. Sujana also ensures her students see her as a friend, mentor and pillar of support.
“They should always feel that I’m there for them, no matter the situation, or condition or time of day,” she insists. “Sometimes I get midnight phone calls! They don’t hesitate to approach me.”
Since the majority of DP students live on campus, “My job doesn’t end in the school,” she explains. “We see them as students, and the dorm is like a home for them – so it’s like seeing them at school and at home – same child, different behaviour. Sometimes it’s difficult to draw a line, because we see them here as well as in the school – so that emotional role is with us, also."
“Of course, I have to draw the line – otherwise maintaining discipline is quite difficult – but at the same time, that line is flexible. It’s not firm – but of course, there is a thin line.”
From her side, Sujana believes that she and other staff can learn from the students’ impressive ability to control their emotions at school. “These are all teenagers,” she reflects. “We see them here, inside and outside. Sometimes, even we lose control – but the students don’t have tantrums in front of their teachers. That’s what I learn from them – how to control our emotions.”
Sujana remembers what she went through at her students’ ages, and understands the pressures they face, especially those approaching graduation from the Diploma Programme, who face multiple deadlines, university applications, and academic and personal challenges. “I always put myself in their shoes,” she emphasises, and shares with her students her anecdotes on how she dealt with stress as a student.
At the same time, she acknowledges times have changed. “This generation is under more pressure – we were not exposed to so many kinds of media or diversions. They are dealing with many things at the same time – compared to them, when we were students, we had less complexity in our lives.”
The demanding IB curriculum motivates Sujana as a teacher, even though her switch to a career in teaching was first supposed to be temporary. Sujana holds an MSc in life sciences, with a specialisation in endocrinology, and a PhD in plant physiology. Her research focused on the physio-biochemical parameters of the post-harvest life of roses, after which she worked in post-harvest floriculture in Bangalore. In 2002 she relocated to Hyderabad and started working as a teacher in an international school.
She was drawn to the demanding and challenging nature of the International Baccalaureate curriculum and in 2013 joined the Aga Khan Academy as a biology teacher. Her career at the Academy has been a learning trajectory: “I’m definitely enjoying the professional development here.” She highlights the different positions she has held over the years, as well as gaining confidence over the years in teaching, helping, and guiding Special Education Needs (SEN) students, and the training, support and resources she has received from the SEN specialist at the Academy.
She also appreciates that the Academy itself is always developing – every year different projects, opportunities and ideas are introduced or planned for the future, and she praises the community service that the school ensures students experience: “It is inculcated in the students – the mission itself is very good and strong.”
The Academy is also always learning from its students; if, for example, some students stand out at drawing or music, the staff will learn from those strengths, and apply what they learn with students in the next batch. The curriculum is reviewed every year, and coordinators and deans take sessions every year to improve and upgrade their skills.
Academically, Sujana especially appreciates the opportunities students have to explore their own interests and to learn independently – “That is the beauty of the Extended Essay.”
“It’s very dynamic,” she explains, and she describes the Extended Essay as a “piece of research work, where the student will find their passion” and submit an essay akin to a mini-thesis.
Because “the curriculum has the scope to identify the strength of the student in different ways” and “the student will design their own labs,” independence and the opportunity to follow one’s own interests is important: “Every student’s choice is different,” she says.
As their teacher, Sujana enjoys the intricacies of guiding the students individually and tailoring her teaching style to their interests and strengths. This year, she is supervising six students, whose self-selected Extended Essay projects explore a range of topics including hydroponics, the greenhouse effect and carbon dioxide concentrations, mushroom cultivation, seed germination, and the effect of music on the growth of plants.
Sujana enjoys being able to show her dynamic, expressive side at the Academy and the freedom of teaching styles and resources that is not always available at other schools. But she finds even more satisfaction in mentoring than in teaching, and it is most rewarding when her students achieve their goals – obtain university admission, get their diploma, or overcome an obstacle when they thought they couldn’t cope, but were “able to achieve something with our guidance.”
She emphasises the need to be adaptable and compassionate towards her students, both for academic and emotional support. “You have to tailor yourself to the needs of the students because some students, you really have to encourage them, motivate them, and some students – at times you have to be firm, strict,” she explains. “I change myself, as per their needs.”
When asked what she envisions for her students’ futures, Sujana replies that she wants them to identify their passions and to continue doing what they like. “I want them always to be confident.
By Natasha Pirani
Diploma Programme
The Aga Khan Academy Dhaka is a Candidate School* for the Diploma Programme. This Academy is pursuing authorisation as an IB World School. These are schools that share a common philosophy—a commitment to high-quality, challenging, international education that the AKA Dhaka believes is important for our students. *Only schools authorised by the IB Organization can offer any of its four academic programmes: the Primary Years Programme (PYP), the Middle Years Programme (MYP), the Diploma Programme, or the Career-related Programme (CP). Candidate status gives no guarantee that authorisation will be granted. For further information about the IB and its programmes, visit www.ibo.orgThe Diploma Programme is a demanding, pre-university-level course of studies. It is internationally recognised by over 2,000 universities worldwide.
The DP has a reputation for rigorous assessment of student achievement. Each student’s performance and levels of knowledge are examined internally by teachers according to set criteria. They are also assessed externally by independent examiners according to global standards applied to all IB schools.
Our students study all the subjects covered in a traditional, broad curriculum, including languages, social sciences, experimental sciences, mathematics and the arts. The DP also takes the curriculum a step further through three unique programmes:
- theory of knowledge
- creativity, activity, service
- extended essay.
Theory of knowledge
Theory of knowledge (TOK) is an interdisciplinary requirement unique to the International Baccalaureate Diploma Programme. It encourages students to reflect on the knowledge they gain both inside and outside the classroom.
One hundred hours of classroom time are dedicated to the TOK programme. We challenge our students to question the nature of knowledge across disciplines, to recognise biases and to analyse evidence using rational thought and argument. By making our students consider and appreciate different perspectives, TOK contributes towards a pluralistic outlook.
Creativity, activity, service
Creativity, activity, service (CAS) is an important component of the IB curriculum and is required for every DP student at the Academy. Our students participate actively in a variety of creative endeavours, physical activities and community service projects. They develop self-confidence, teamwork and leadership skills, and a sense of civil responsibility.
Students take part in sustainable projects that have real and lasting effects on the greater Hyderabad community. They develop strength of character and an understanding of their ability to bring about change.
The CAS programme is valued for its power to transform the lives not only of students but also the people they work with. It serves as a platform for interpersonal exchange, personal growth and greater understanding of the issues we face as a global community.
Extended essay
The extended essay requires students to pick a subject of their choice and research and develop it into a 4,000-word essay. Students may choose to investigate a subject from one of their higher-level courses more deeply. Or they can broaden their academic experience by researching a subject in a field they are not currently studying.
Through the extended essay, we introduce students to the kind of independent research and writing skills expected at the university level.
For further information on the IB Diploma Programme at the Academy, please see the admission requirements or contact us.
*Only schools authorised by the IB Organization can offer any of its four academic programmes: the Primary Years Programme (PYP), the Middle Years Programme (MYP), the Diploma Programme, or the Career-related Programme (CP). Candidate status gives no guarantee that authorisation will be granted. For further information about the IB and its programmes, visit http://www.ibo.org.
Dhan Prasad - the Academy's own renaissance man
Dhan Prasad was born in Hyderabad after his parents relocated here from Nepal, and grew up in Red Hills. He joined the Institute of Hotel Management and Catering Technology, completing their Food Production & Patisserie course in the year 1993. In the following years, Dhan Prasad trained and worked at two of the premiere hotels in India, the ITC Grand Chola in Chennai and Oberoi Krishna in Hyderabad (renamed Taj Krishna). It was during this stint in Hyderabad that Dhan Prasad decided to pursue his passion for the arts. “You can call it my first love,” he says.
As a school boy, Dhan Prasad often visited the Jawahar Bal Bhavan in Nampally. The Bal Bhavan, with its high ceilings, yellow walls and large play area was created to be a place where children could hone their talents in the arts, learning music, dance, and, of course, drawing and painting. Here, he trained under artist and National Film Award winner, Thota Vaikuntam, whom he describes as his role model, guru and inspiration. “He used to encourage me by giving me big drawing charts and colours.” Dhan Prasad re-entered university in 1995, this time as a fine arts student at the Jawaharlal Nehru Architecture and Fine Arts University. His art, mainly sketches and acrylic, portray scenes of men and women, often at work, and always in conversation. The paintings are on large canvases, and though they have some of the stylistic attributes of Madhubani art, they are strikingly unique. The Bal Bhavan he went to is still active today and caters to around 3000 children in spite of being under-funded, and sharing its space with a local fire department.
“It was very tough to manage my work and my painting,” he says. Dhan Prasad was juggling university work and his job at the Krishna simultaneously at this time. As the pressure mounted, he was informed that he had been chosen to be Junior Commissioned Officer (JCO) of catering in the Indian Army, a proposition that comes from the desk of the President of India. Dhan Prasad describes joining the army as a bold decision. He remembers thinking, “I cannot ignore this opportunity to serve my country.” So he, in his words, left his white chef’s robes and donned the olive green of the Indian army.
Glad to have the opportunity to serve his country with his culinary abilities, he worked in the army for 19 years, serving in its storeyed institutions across the country and even abroad. Dhan Prasad was among the forces sent from India to be a part of the UN’s mission to maintain ceasefire between Syria and Israel. “My most memorable days were as kitchen manager of an international kitchen at UNDOF (United Nations Disengagement Observer Force), Israel,” he shares. “My most challenging work was at IMA (Indian Military Academy), Dehradun and OTA (Officers Training Academy), Chennai.” In these kitchens, Dhan Prasad organised meals and hospitality services for 2000-2500 people every day. Standing in charge of these large operations gave Dhan Prasad an understanding of the workplace, responsibilities and leadership, which make him revered by those who work under and alongside him.
“Being an army man he brings discipline to our catering,” says Head of Operations at AKA Hyderabad, David Roy. “He’s always on the dot.” Dhan Prasad and David work very closely, and often under high pressure. “In three years, we have never missed catering at a single event, and this is because of our excellent kitchen, its staff, and of course, Dhan Prasad.” It is a great compliment to him that in spite of the demanding nature of their job, Dhan Prasad has created an atmosphere of conviviality in the kitchens and among his support staff. “He understands his job, his responsibilities,” says David. “But the problem with him is that he doesn’t say no to anyone!”
The demands of the Academy’s kitchen are different from those of a military kitchen, and Dhan Prasad relishes the challenges that come with this job. “The diversity [in the students, faculty] gives me an opportunity to challenge myself and be innovative and creative in our day to day catering services,” he says. Dhan Prasad also looks forward to the holy month of Ramzan and being able provide for fasting students at the early hours of dawn. “The Global Encounters holiday camps offer other opportunities to test our calibre,” he adds.
Working at a school, Dhan Prasad believes learning about the mammoth effort that goes into their meals could be beneficial to students’ education. “Students need to have responsibility toward their food." He wants students to be informed about the processes of the food & beverage industry and also about etiquette. “Our students are future ladies and gentlemen who will go out internationally and later become responsible citizens of the nation. Table manners count for a lot when it comes to the personality of an individual.”
At 17, Dhan Prasad knew he wanted to be in hospitality. Today, he is a chef, an artist, and a retired Subedar Major. The praise heaped on him is the kind that Swiss watchmakers pine for. He is efficient, dependable and yet creative. “Art is long and life is short,” he muses. “Cooking is an art and science, it never ends and we can’t master it. The only thing we can do is try, practice and keep doing good work.”
Written by Ajay Sundaram
